Title: Grandma’s Blessing
Showcasing Diné (Navajo) Art and Crafts, including Navajo Jewelry, Rugs, Baskets, Paintings, Sculptures and Pictures.
“Chief Blanket” 2nd Place Winner
“Yei figure” Honorable Mention
Nizhoni Fine Arts Competition, Navajo National Fair 2012
Hostin Nez painting by Carl Moon
ca. 1937-1943
Born: Wilmington, Ohio 1879
Died: San Francisco, California 1948
oil on canvas
29 5/8 x 23 3/8 in. (75.1 x 59.5 cm)
Smithsonian American Art Museum
Gift of Mrs. Florence O.R. Lang
Date 1992
Weaver: Louise Nez (Navajo)
Type: Pictorial Navajo Rug woven with commercial yarn
Source: Smithsonian American Art Museum
Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson
The Name Tahoma in Navajo means “Water Edge”.
Tahoma attended Tuba City Day School, “graduating” in May, 1928.
Tahoma studied art in Santa Fe, New Mexico from 1936 to 1940, where he attended the Santa Fe Indian School in New Mexico from 1936 to 1940 and trained by Dorothy Dunn at the Studio.
Harrison Begay, Navajo artist who was Tahoma’s friend at the Santa Fe Indian School, had told us that Tahoma had a damaged arm, and some other people had mentioned it. At 16 (now in 6th grade) Tahoma carried only 113 1/2 pounds on his 5’6′ frame.
In his youth he also created “sand paintings.” As a boy he spent much of his time hunting and fishing, whereas later in life, he drew much of his artistic inspiration from his boyhood experiences.
He was known for his dynamic action filled paintings and pictures full of humor.
Early in his career, his paintings were serene and soothing in tone, but increasingly they had subject matter of wars and men killing animals.
His subjects were things like riding, fishing, and hunting, and landscape scenes. He used brilliant colors and precise lines in his work.
He worked most of his life in Santa Fe, on hundreds of paintings from the mid-1930s to 1956 as a Navajo painter and muralist.
He one of the Indian Code Talkers, in World War II who played such a critical part in the winning of World War II in the Pacific. After the war, he returned to the Navajo Reservation and became a successful artist.
Quincy Tahoma the gifted Navajo artist died of alcoholism in November 1956 in Santa Fe.
Source: Quincy Tahoma website
Harrison Begay who’s Navajo name is (Haashké yah Níyá, that means “Warrior Who Walked Up to His Enemy”)
He was born in White Cone, Arizona on the Navajo Reservation in White Cone, Arizona sometime around 1914 to 1917. He said He’s never been sure about the date.
His mother belonged to the Zuni White Corn Clan, and his father was Walk Around Clan / Near Water Clan. Young Harrison herded his family’s flock of sheep near Greasewood, where he still lives.
In 1933, he entered the Santa Fe Indian School to study art under Dorothy Dunn.
He is correctly known as the patriarch of twentieth century Navajo art.
In his art he depicts religion, life and animals of the Navajo native American people.
He painted children, animals, shepherds, weavers, and native American ceremonies, including the “Squaw Dance” and several Yei Bei Chai spiritual dances.
Painting of Navajo Squaw Dance – Date created: circa 1990 by Harrison Begay (Haskay Yahne Yah [Warrior Who Walked Up to His Enemy]), Diné (Navajo) – Media/Materials: Watercolor from an acrylic base.
His favorite medium was watercolor from an acrylic base. This medium enabled him to capture the soft pastel colors for which he is so well known.
In 1936 Begay painted Navajo Horse Race at the school and sold the piece to Charles Mc C. Reeve for twelve dollars. It is now in the Southwest Museum connection in Los Angeles.
Begay won two grand awards at the Gallup Inter-Tribal Ceremonial and has been a consistent winner at state and tribal fairs. In 1954, he was awarded the French Ordre des Palmes Académiques. In 1995, he was awarded the Native American Masters Award by the Heard Museum. In 2003, he won the Lifetime Achievement Award from the Southwestern Association for Indian Arts, the organizers of the annual Santa Fe Indian Market.
Begay returned to the Navajo reservation in 1947, and has made his living as a painter ever since. Begay has continued to paint in the Dorothy Dunn “Studio style” throughout his long career – he was still painting (in acrylics) in 2004, at age 90.
Works from his career are in permanent museum collections around the world almost every important public and private collection of Native American art, including the following:
Begay was awarded the 2003 Lifetime Achievement Award by the Southwestern Association of Indian Artists, organizers of the annual Santa Fe Indian Art Market.
His portrait was featured in the Smithsonian Institute’s Museum of the American Indian in 2004.
References:
Harrison Begay biography from Encyclopedia of World Biography
Harrison Begay at Indigenous Research Center
Harrison Begay in the Grove Dictionary of Art
Biography at Medicine Man Gallery
“The New Arrival” By Alfredo Rodriguez
For Alfredo Rodriguez, painting was as much a part of his childhood development as learning to walk and speak. Some of his earliest memories are of illustrating classroom assignments and painting portraits of family members with one of his earliest gifts, a set of watercolors from his mother at the age of six. Born and raised in Mexico in a family of nine children, Alfredo used his talent to supplement his family’s income needs.
Now living in California and winning top awards from several of the most prestigious organizations, Rodriguez’ work is also included in the books “Western Painting Today” by Royal B. Hassick and “Contemporary Western Artist” by Peggy and Harold Samuels. Alfredo also has been featured in magazines such as “Art of the West,” “Informart,” “Western Horseman” and “International Fine Art Collector.”
Alfredo currently exhibits at several important invitational art shows, including “Masters of the American West” at the Autry Museum in Los Angeles, California. His paintings are also included in the permanent collections of several museums, such as the Favell Museum in Oregon, the Leanin’ Tree Museum in Colorado, the Booth Museum in Georgia and the Pearce Western Art Collection in Texas. Alfredo was also the 2005 featured artist for the Jackson Hole Fall Arts Festival.
A professional artist since 1968, Alfredo Rodriguez is enjoying international response by private and corporate art collectors, as well as wide critical acclaim. He is internationally recognized for his outstanding paintings of the American West. His rich and vivid images of mountains, deserts, and Indian villages are admired wherever they are displayed, but it is his portrayal of the inhabitants of the land that provides the focal point of his work. As he paints, he captures the dignity of the human spirit elevated by the majestic beauty of their surroundings. He has come a long way from such a humble beginning, yet the critics believe that his masterful treatment of the American West is largely responsible for his success and demonstrates even great potential for the future.
Source: Alfredo Rodriguez website
Image Copyright by Alfredo Rodriguez. Use for educational purposes only.
Squaw Dance
circa 1965
Charles Yazzie (Charley Yazzie), Diné (Navajo), b. 1944
Winslow; Navajo County; Arizona; USA (inferred)
Painting
Paperboard, gouache/opaque watercolors
Drawn, painted
Collection history unknown; found in MAI collections and catalogued circa 1983.
Source: Smithsonian American Art Museum
Hostin Nez painting by Carl Moon ca. 1937-1943 Born: Wilmington, Ohio 1879 Died: San Francisco, California 1948 oil on … [Read More...]
Title: Reservation Scene Date 1992 Weaver: Louise Nez (Navajo) Type: Pictorial Navajo Rug woven with commercial … [Read More...]
Harrison Begay who’s Navajo name is (Haashké yah Níyá, that means "Warrior Who Walked Up to His Enemy") He was born in … [Read More...]
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